“Venere che sona d’arpa e due amori”:
Marco Marazzoli at the Barberini Court
Giovanni Lanfranco’s painting Venus Playing the Harp depicts a harp very similar to the Barberini Harp. Elisabetta Frullini shares analysis and archival research to propose that Lanfranco might have indeed depicted the Barberini Harp, on commission by his friend, the harpist Marco Marazzoli. Frullini’s research highlights the aesthetic and social importance of this precious instrument and the representations of it.